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Room Acoustics and Reverberation Time

Reverberation time calculation, room acoustics principles and recommended RT60 values.

roomacousticsreverberation

Overview

Reverberation time (RT60) is the time required for sound pressure level to decay by 60 dB after a source stops in an enclosed space. It is the single most important metric in room acoustics, influencing speech intelligibility, musical clarity, and noise comfort. Proper RT60 depends on room volume, surface materials, and intended use.

Key Formulas

Sabine Reverberation Time

T60=0.161VAT_{60} = \frac{0.161 \, V}{A}

The foundational equation relating reverberation time to room volume and total absorption.

The Sabine formula gives good results for ordinary rooms when the mean absorption coefficient is not greater than about 0.35. For rooms with a mean absorption coefficient greater than 0.35, the Eyring equation is preferred because the logarithmic form better represents heavily absorptive spaces.

Eyring Reverberation Time

T60=0.161VSln(1αˉ)T_{60} = \frac{0.161 \, V}{-S \, \ln(1 - \bar{\alpha})}

More accurate for rooms with highly absorptive surfaces where average absorption coefficient approaches unity.

Total Absorption

A=iαiSiA = \sum_{i} \alpha_i \, S_i

Total Sabins of absorption equal the sum of each surface area multiplied by its absorption coefficient at the frequency of interest.

Room Axial Mode Frequency

f=c2(nxLx)2+(nyLy)2+(nzLz)2f = \frac{c}{2} \sqrt{\left(\frac{n_x}{L_x}\right)^2 + \left(\frac{n_y}{L_y}\right)^2 + \left(\frac{n_z}{L_z}\right)^2}

Resonant standing-wave frequencies inside a rectangular room, where nx,ny,nzn_x, n_y, n_z are non-negative integers.

Variables

SymbolDescriptionUnit
T60T_{60}Reverberation times
VVRoom volume
AATotal absorptionm² Sabins
SSTotal surface area
α\alphaAbsorption coefficientdimensionless
αˉ\bar{\alpha}Average absorption coefficientdimensionless
ffFrequencyHz
ccSpeed of soundm/s
Lx,Ly,LzL_x, L_y, L_zRoom dimensionsm
nx,ny,nzn_x, n_y, n_zMode indicesinteger

Absorption Coefficients by Material

10 rows
Typical random-incidence absorption coefficients (Sabine) at selected frequencies
Material / Surface
125 Hz
500 Hz
2000 Hz
Brick, unglazed0.030.030.04
Concrete block, painted0.10.050.06
Glass, window0.350.180.07
Plaster on masonry0.020.020.03
Wood floor on joists0.150.070.06
Carpet on concrete0.020.060.2
Heavy curtain draped0.070.350.55
Acoustic ceiling tile0.250.70.75
Audience (per seat)0.350.550.6
Open window (100%)111

Source: engineeringtoolbox.com

8 rows
Approximate recommended RT60 at mid-frequencies (500–1000 Hz)
Space Type
Typical Volume()
RT60 Target(s)
Recording / broadcast studio1500.2 – 0.4
Classroom3000.4 – 0.6
Conference room2000.4 – 0.7
Office (open plan)5000.5 – 0.8
Small lecture hall15000.6 – 1.0
Theater / drama50001.0 – 1.4
Symphony concert hall150001.6 – 2.2
Church / cathedral100002.0 – 4.0

Source: engineeringtoolbox.com

Calculators

Sabine Reverberation Time

Sabine RT60

Absorption from Materials

Add Absorption (Sabins)

Unit Converter

Room Acoustics Unit Converter

RT60 vs Total Absorption

Sabine RT60 vs Total Absorption for Different Room Volumes

Design Notes

  • Frequency dependence. Absorption coefficients vary significantly with frequency. Always evaluate RT60 across the 125 Hz – 4 kHz octave bands, not just at a single frequency.
  • Sabine vs Eyring. Use Sabine for typical rooms with αˉ<0.3\bar{\alpha} < 0.3. Switch to Eyring for heavily treated rooms, anechoic spaces, or when αˉ\bar{\alpha} exceeds roughly 0.3, as Sabine overestimates absorption at high coefficients.
  • Audience and furniture. Unoccupied RT60 can be 20–40 % longer than occupied. Design for the occupied condition and verify that the empty condition remains tolerable.
  • Air absorption. At frequencies above 2 kHz and in very large volumes (auditoria, sports halls), molecular air absorption becomes a meaningful additional decay mechanism and is not captured by the Sabine formula.
  • Flutter echoes and focusing. Large parallel reflective surfaces or concave walls can produce discrete echoes and focusing even when RT60 is nominally correct. Geometry matters alongside material treatment.
  • Room modes. In small rooms (studios, control rooms), low-frequency modes create pronounced peaks and nulls. Mode spacing should be analyzed; widely spaced modes below 300 Hz cause audible coloration.

Restored Original Source Tables

The following tables are restored from the original source page to preserve the complete reference data.

Sound - Reverberation Time

3 rows
Sound - Reverberation Time
Room Volume (m3)
Conference room, school, cinema
Concert Hall, Normal Music
Church, Organ Music
1000011.52
10000.81.31.6
1000.61.11.2

Source: engineeringtoolbox.com

References